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Jeff Weiss

Far East Movement Got Tired of Hearing They Were "Too Asian," so They Went Independent


In a new interview with LA Weekly, Far East Movement discusses their split with Interscope records, soul searching and following hits like "Like a G6," "The Illest" and "Bang It to the Curb." The group released their 5th studio album, Identity, in October 2016.

This article originally appeared on LA Weekly

Far East Movement
Jay Ahn/Transparent Agency

Every neighborhood produces its own legends. Hip-hop’s hyper-regional traditions date back to the borough and block-party rivalries of New York but thrive even in this Snapchat epoch. In the East Bay, Mac Dre will always outshine Dr. Dre. Boosie might as well be the ratchet Buddha of Baton Rouge. And in Koreatown, Far East Movement could win congressional seats.

This might surprise you if you only knew the trio (formerly a quartet) for their 2010 smash, “Like a G6” — one of their three hits to crack the Billboard Top 40 between 2010 and 2012. In the process, they defined rap’s early flirtations with the then-nascent EDM boom and became the first and still only Asian-American hip-hop artists to see mainstream stardom.

Should you live west of Crenshaw, you could be forgiven for not knowing what happened next. Despite two follow-up singles, “The Illest” and “Bang It to the Curb,” that won Power 106 rotation, boomed at Lakers games and racked up roughly 10 million YouTube plays apiece, Far East Movement found themselves at a career crossroads...

... Read the full article by Jeff Weiss at laweekly.com/music/far-east-movement-go...

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