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August Brown

In Fabric's closing in London, an echo of L.A.'s rave scene woes


London nightlife took a major blow with the suspicious circumstances surrounding the closure of its most famous nightclub. August Brown recounts the unfortunate similarities that Los Angeles also faces.

This article originally appeared on LA Times

A world-class nightclub takes years to build, but it can be undone in just a few hours.

On Tuesday, the local council overseeing venue licensing in the Islington area of London revoked the permits for Fabric, one of the most influential and internationally renowned electronic music venues on the planet. The move came after a pair of drug-related deaths prompted an inquiry into the club’s security practices, which had been regarded as world-standard.

In terms of driving tourism, making artists’ careers and bolstering a city’s nightlife reputation, Fabric’s only real peer was Berghain in Berlin. The loss is a blow to dance music generally, and London’s nightlife industry specifically. More than 150,000 petition signers have lamented the decision, as well as Mayor Sadiq Khan, artists such as Ellie Goulding and the Chemical Brothers, and right-wing think tank Adam Smith Institute

The closure will be appealed, but at the moment there’s something of a “Brexit”-style lament whipping through UK club music.

There’s also a parallel here for Los Angeles, which is facing its own debates about drugs and safety at dance music events. No matter how vigilant a venue may be, it’s nearly impossible for a space to guarantee zero drug use among its patrons.

In L.A., much of our dance music culture is driven by large festivals and semi-legal warehouse parties rather than neighborhood nightclubs. This is due to a variety of reasons – 2 a.m. closing times and strict alcohol and dancing permit requirements, to start.

That means that our defining events, such as Hard Summer and last weekend’s Nocturnal Wonderland, take place in concert spaces well off the urban grid, often in hotter inland locales where regulations may be looser and space more plentiful, but where logistics are more difficult. The Times’ post-Hard-Summer reporting traced the move of big festivalsfrom downtown L.A. into San Bernardino County,

That setup creates all of the risk of a festival, but none of the benefits of a well-operated urban nightclub. Since opening in 1999, Fabric has been a boon for tourism, and, just as importantly, helped create an image of London as 24-hour entertainment and nightlife capital. Read any of the thoughtful laments for the venue and you’ll see just how much people cared about this place, and what it meant to their lives and the vitality of the city around them.


Read the full story by August Brown at LA Times